HD Heaven Conforms The Gadget Show with Avid DS and Boris Continuum Complete

Monday, March 15, 2010

"I couldn't imagine starting an edit without my armory of Boris Continuum Complete 6 effects. In addition to giving me the creative freedom to achieve great looks when working on commercials, Boris and Avid have worked hard to provide a really effective conform path, too. That makes our online finishing of The Gadget Show, which is all offlined on Media Composer systems, far smoother, with BCC transitions and effects all coming across within the AFE."
- Tony Quinsee-Jover, owner, HD Heaven

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Labels: Boris-User-Story

Digital Kitchen Standardizes on Boris Continuum Complete

Tuesday, April 28, 2009

Award-Winning Creative Agency Chooses BCC for Adobe After Effects

Digital Kitchen is a creative agency that focuses on film production, experiential design, motion graphics, brand identity, and interactive work for marketing and entertainment. With studios in New York, Chicago, Seattle, and Los Angeles, Digital Kitchen has created experiential campaigns for Target and Microsoft, broadcast spots for hundreds of leading brands, interactive work for AT&T, Budweiser, and Mercedes, the Emmy Award-winning main titles for "Dexter" and "Six Feet Under", a series of manga comic books for Nike, and the live show content for The 2008 Webby Awards.

To give its artists a wide range of tools and plug-ins in one unified visual effects suite, Digital Kitchen recently standardized on Boris Continuum Complete AE for Adobe After Effects, investing in 65 licenses including 20 render-only licenses. Instead of constantly digging and searching for the right plug-in, Digital Kitchen artists turn to one of BCC AE's nearly 200 filters for fast, easy, and visually-striking effects. Using BCC AE as a one-stop shop for visual effects has resulted in increased creativity and productivity.

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Labels: BCC-6-AE, Boris-FX, Boris-User-Story

Cost-saving Workflows with Avid, Adobe & Boris Continuum Complete

Thursday, November 06, 2008

With more than 25 years of editing experience, the Dallas-based video post-production company, db Editorial, has cut every project - from commercials and music videos to feature films and episodic TV. db Editorial has two Avid Media Composer systems and relies heavily on Adobe After Effects for graphics compositing. The team selected this set-up after evaluating which tools could efficiently handle complex workflows. Being able to use the same graphic filter set in editing and compositing tools is a smart investment that makes the finishing process efficient and saves hours on each customer project...

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Labels: BCC, BCC-User-Story, Boris, Boris-User-Story

Create a Broadcast Show Opener with Boris RED 4.1

Tuesday, July 17, 2007

Vivek "Vik" Narayan, Investigative and Special Projects Editor for KNXV/ABC 15, was asked to create a 15-to-20 second open for the live broadcast of The City of Phoenix's annual July 4th celebration, dubbed "Fabulous Phoenix 4th". The festivities included a rock concert and culminated in a fireworks spectacular. Vik had to figure out a way to feature all the sponsor logos in the open. His plan was to combine regal patriotism and explosive fun in a 3D arena.

Learn how Vik used Boris RED 4.1 to create the show opener

Labels: Boris, Boris-User-Story, Red, Tutorial

New Boris Continuum Complete User Story

Monday, March 12, 2007

A Day in The Life of TV News Promotion

"If you are an editor in a broadcast operation and do lot of work in After Effects--plain and simple: you need to buy BCC 4. The BCC filters cover a pretty wide range of effects. It's not uncommon here to have a comp with a dozen BCC 4 effects scattered throughout, and most spots that hit our air have BCC 4 all over them. The Boris plug-ins are quick and easy, with options to dig into and tweak. BCC 4 saves us time and resources--something extremely important to broadcast news." - Tim Johnson, KUTV 2 News (CBS), Salt Lake City

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Labels: BCC, BCC-User-Story, Boris, Boris-User-Story

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